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Becoming a Writer
A Writer
Grows Up in Hong Kong:
Mingmei Yip's Story

Mingmei in
Kindergarden |
Only after I was
old enough to talk to my classmates did I realize how peculiar
my family was. I was born to a scholar family; my father was a
professional gambler with a degree in singing from the Beijing
Military Defense Conservatory and my mother was an aspiring
artist. When I was a child, my father always boasted to me how
his uncle, a prominent General in China, won endless battles
just by using his brain. He also told me how my cousins all had
PhDs.
My grandmother
from my mother’s side was the owner of the Pepsi Cola factory in
Vietnam before the liberation. Barely able to read, she
took over the business after my grandfather died suddenly of a
stroke while in his early forties. My mother always
boasted about Grandma’s success and showed me pictures, now
lost, of Grandma beside Joan Crawford, then at the peak of her
Hollywood stardom, and Wu Ting-yan, the Vietnamese president.
My grandmother
came to visit us from time to time, but like so many old
generation Chinese women, she lavished attention on my brother
but ignored me because I was a girl -- “money-losing
merchandise.”
She never spoke a word to me, nor even looked in my direction. I
reciprocated, sitting wordlessly in my high chair and staring
out the window, absorbed in my daydreams. This “cold war”
culminated when one day Grandma suddenly asked my mother, “Is
your daughter retarded?”
Whatever my
mother thought about this, she always had faith in my future.
Once when on our way to a Chinese opera performance, I saw the
crescent moon and blurted out: “Ma, look, the moon is like my
clipped fingernail!” Amazed, Mother shot back:
“Wah! Mingmei,
you’ll be a writer someday!”

Me playing
the Qin |

Reminiscing |
Sadly, after that
evening I was not to see my mother again for eight long years.
Frustrated by father’s gambling away all her family jewelry, she
set out for Saigon to rejoin Grandma. My poor mother never knew
anything of politics and arrived in Vietnam when everyone else
was struggling to leave – the communists were taking over. The
Pepsi plant was quickly nationalized and Mother placed in a
prison camp as a capitalist-roader. Her letters contained
nothing personal but declared in stilted phrases how happy she
was in the labor camp helping to build a new Vietnam and singing
the Internationale. For one year, we heard nothing from her. At
last, after eight long years, she appeared at our doorstep. She
never spoke of her life in Vietnam.
But my eight
years of separation from my mother left me something. Out of my
loneliness, I kept a journal in which I poured out my pain and
fear but also my love and hope that my mother would come back to
me. Now I know that this was my first training for my future
career as a writer. Much later I learned to play the ancient
Chinese musical instrument, the qin, and through this came to
learn more about the lives of Chinese women, from aristocrats to
courtesans, who had played it in the past.
Now both of my
parents are, sadly, no longer in this life. If they are reading
my novel
Peach Blossom
Pavilion
in their new incarnations, I hope they would be happy to learn
that their daughter has fulfilled their dream of becoming a
scholar-artist, musician, and novelist.
How I began to write
My name “Mingmei”
in Chinese means “bright and beautiful;” these words are used to
describe fine weather, picturesque landscapes and pretty women.
I like my name, which was given by my mother who strongly
believed the first day I was born that I would grow up to be
“ming” and “mei” --- bright and beautiful. My last name “Yip”
means leaf, I imagine that this refers not just to ordinary
leaves but to jade-green ones overhanging a garden where young
lovers are reading forbidden love poems under the soothing
shade.
I was born to a
scholar’s family where my father was a professional gambler with
a degree in singing (baritone) and my mother a teacher and an
aspiring artist. When I was a child, my father always boasted to
me how his uncle, a prominent General in China, won endless
battles just by using his brain. He also told me how my cousins
all had PhDs.
My father’s
untiring boasting about our family inspired a childish vision in
me. So whenever grown-ups asked what I would like to be when I
grew up, in my high-pitched voice I would declare, “To get a PhD
and write books!” only to draw giggles from the adults.
One time when
Mother took me out to an opera performance, on the way I saw the
crescent moon and blurted out: “Ma, look, the moon is like my
clipped fingernail!” Amazed, Mother shot back: “Wah! Mingmei,
you’ll be a writer someday!”
Looking back, I
realize that I was eight years old when I actually became a
writer. It happened because my great aunt carelessly let my
puppy Laili (“Bring Fortune”) run out of our house. When the
puppy finally found his way home, he also brought with him a
strange skin disease which would soon send him to his next
incarnation. Angry and choked with sadness, I scribbled two
letters, one to Laili, the other to my great aunt. The first
began, “My dearest Laili…” and went on to express my wish that
he would reincarnate as a baby girl so we could begin our next
life together as sisters. The other began, “My most
hateful Great Aunt,” and went on to accuse this strange woman
who barely spoke to any of us.
Fearing that my
parents might read the letters and scold me, I immediately slid
them inside my schoolbag. When I awoke the next morning,
however, I found Mother reading them. Unexpectedly, instead of
being paralyzed by her angry eyes, I saw her lips lift almost to
her ears. “Mingmei, you’re such a good writer. But,” Mother
leaned to whisper into my ears, “don’t ever let Great Aunt see
what you wrote!”
My desire to
write, I believe, had started with the two letters, my mother’s
praise, together with the stirrings of the small loves and hates
my young heart was starting to experience in this dusty world.
As a child, I
took little interest in talking and less in having friends. (My
grandmother once asked my mother whether I was retarded!). I was
happiest hiding myself beneath my father’s large office desk,
thinking weird thoughts or dreaming strange dreams. In my mind,
the moon would reach out to slap the sun. Or the dim sum on my
plate would suddenly get up and tango.
At fourteen, my
first article was published in a magazine. It was nothing
special, but I was paid ten dollars for it. As soon as I got the
big, fat check, I made the grand gesture of inviting a classmate
to join me in devouring big bowls of steamy wonton soup with
noodles, beef congee, and sizzling dim sum.
Later in college,
I took as many courses as I was allowed. I particularly enjoyed
two – Speech and Creative Writing. Our first assignment in
Speech was to introduce ourselves to the whole class. That was
when I found out that most people’s lives are pretty boring: May
May had a mom, a dad, a little sister and every Sunday they all
went out for buffet together. Meng Meng endured piano, ballet,
and painting lessons every week to her mother’s great pride but
her own suffering. And on and on.
Until my turn to
give my speech, I decided that my voice would be a lion’s roar
cutting right through this mundane buzzing. With a dramatic tone
and an even more dramatic expression, I proclaimed that my
mother was a workaholic and my father an alcoholic – what we
would now call a dysfunctional family. At sixteen I ran away
from home and lived with different boyfriends staying in filthy
rooms at cheap hotels, even under the bridge in the park. After
my speech, the whole class became uncharacteristically silent.
Mrs. Wallacker, our bespectacled, deeply religious American
teacher, was too upset to talk to me. She asked a girl student
to comfort me and tell me to see her later. When I did, it was
my turn to comfort her and then apologize by telling the truth
that the story was, well, just a story. “Actually, it doesn’t
really matter,” was her answer. A week later, I got an A for my
speech.
I believe this
event planted the seed of the fiction writer in me – not to lie
in order to hide the truth, or to reveal it, but simply to tell
a gripping story. Within an inspired narrative, I believe,
something true is always embedded.
For creative
writing class, each student would write a short story and the
following session, Miss Anderson, our petite brunette teacher,
would pick the best to be read aloud by a student to the whole
class. In order not to stir up jealousy, the writer would remain
anonymous. Though I liked Miss Anderson’s liveliness and her
pretty green, jade-like eyes, I didn’t like the way she treated
my creations - silently returning them without their being
given a voice.
Did she think
that I was born mute?
One evening, I
swore to the moon that my voice, be it strong or weak, whole or
broken, normal or perverse, would make a heaven-shaking bawl--
like a baby’s the moment its small bloody head pops into this
hot wok called “life.”
So I started to
draft my “masterpiece,” A dissection. It told about love, hate,
jealousy and the search for truth – by describing the dissection
of a beautiful, evil girl to see whether the color of her heart
was truly black. To cut off her long tongue so she could no
longer gossip nor slander (this in fact helped to dissipate her
bad karma so she wouldn’t be reincarnated as a sewage rat nor be
perpetually sawed in hell). To crack open her brain to see
whether it was filled with garbage, vomit, or maggots. And so
on, each act more gruesome than the previous one.
Voila! My story
was given a loud voice, finally (read by a muscular boy with a
booming voice but oddly feminine gestures). After the reading in
class, boos and laughter and accusing fingers flew like saucers.
One boy yelled at
his neighbor, “That’s you! Sadist!”
His neighbor
pointed to a bespectacled nerd. “No, I love women. It’s him!”
The nerd wielded
a finger at the muscular one. “Him! It’s him! That’s why he’s so
excited. Sicko, reading his own sick joke!”
Finally, a
Chinese Woody Allen stood up, looking through his thick glasses
to scan all the other boys. “All right, which misogynist wrote
this? Confess!”
All the girls
looked stunned. I smirked inside.
A week later,
Miss Anderson sent me a note: Mingmei, you write very well, but
next time please give me something normal!
To be a good girl
and be patted on the head had no appeal to me. I wanted to be a
red dot among a vast expanse of green, a crane spreading its
wings among a horde of hens.
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